Source: http://www.imnotobsessed.com/2011/06/30/the-duke-and-duchess-of-cambridge-head-to-canada/
Carla Campbell Carla Gugino Carmen Electra Carol Grow Carrie Underwood
Source: http://www.imnotobsessed.com/2011/06/30/the-duke-and-duchess-of-cambridge-head-to-canada/
Carla Campbell Carla Gugino Carmen Electra Carol Grow Carrie Underwood
Source: http://www.mtv.com/overdrive/?artist=501686&vid=195543
Cinthia Moura Claudette Ortiz Coco Lee Connie Nielsen Cristina Dumitru
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Carrie Underwood Cat Power Catherine Bell Chandra West Charisma Carpenter
Source: http://www.mtv.com/overdrive/?artist=1102&vid=208348
Alecia Elliott Alessandra Ambrosio Alexis Bledel Ali Campoverdi Ali Larter
Source: http://feedproxy.google.com/~r/pinkisthenewblog/~3/2Kj6Pbv4M04/
Amanda Peet Amanda Righetti Amanda Swisten Amber Arbucci Amber Brkich
Stepping out for a bite to eat, Olivia Wilde was spotted after enjoying a midday meal in Los Angeles yesterday (June 29).
The "Cowboys and Aliens" cutie sported a casual yet trendy fit for her lunch date - wearing a super-cute fedora, over-sized black sunglasses, and a brown crossover bag.
In related news, Olivia, one of Hollywood's hottest bachelorettes as of late, has been linked to yet another one of Tinseltown's most eligible hunks - "Green Lantern" star - Ryan Reynolds.
Rumors of the romance began to spread after the good-looking duo were spotted getting cozy with one another during Jeff Bridge's performance at the Troubadour Tuesday night (June 28).
Source: http://celebrity-gossip.net/olivia-wilde/olivia-wildes-los-angeles-lunch-date-519692
Georgina Grenville Gina Carano Gina Gershon Gina Philips Gisele Bündchen
Director Chris Marrs Piliero talks about working with Brit and his favorite scene from the fun clip.
By Jocelyn Vena, with reporting by Hugh Swingle
Britney Spears in her "I Wanna Go" music video
Photo: Jive
Britney Spears looks like she's having a blast in her new "I Wanna Go" video. It's full of fun pop-culture references and has Brit seeking vengeance against the paparazzi. Now, the director of the kitschy clip, Chris Marrs Piliero, has opened up about working with the pop megastar.
"Meeting Britney for the first time was really rad. She was really cool. I don't think anyone has the right to be a diva, but there are some artists out there, they've been in the game long enough [that] if any one of those artists ... might have the permission to be a diva, she definitely has earned it — and she wasn't whatsoever," he told the MTV Buzzworthy blog.
So what's Spears like? "She's super polite; she's ridiculously polite. She's soft-spoken," he said. "She's really cute. The way she talks and interacts, you want to hug her. She was super professional, super game. ... It was rad. It was awesome working with her. She's a rad chick."
Another highlight of the shoot for Piliero was working with "Weeds" star Guillermo Diaz on one of the final scenes. In the last part of the video, Spears and the actor are riding in a convertible in the desert as Brit dances around. Diaz displays his comedic chops by doing things like pouring milk all over himself.
"It was definitely a funny moment of the shoot. We let the cameras roll, and the reaction that you see from Britney is definitely a genuine reaction," the director recalled. "When I was going through the footage, I loved the way that she responded. It's so genuine and so funny. It's perfect [and] it definitely is a perfect description of how we all felt about that scene."
Let us know what you think of Britney's "I Wanna Go" video in the comments!
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Carmen Electra Carol Grow Carrie Underwood Cat Power Catherine Bell
From 'Crossroads' to seashells, here's a look at the references in Britney's latest video.
By James Montgomery
Britney Spears in her music video for "I Wanna Go"
Photo: Jive
Britney Spears' new "I Wanna Go" video is, like some of her past clips, an all-out affront to the pesky paparazzi that follow her every move. But, unlike any video she's done previously, this one tackles the issue with tongue firmly planted in cheek.
See, "Go" is essentially one long dream sequence — instigated by the rote questions Spears is forced to endure by members of the media — and, as such, it's packed with pop-culture nods to film and television (and whistling dogs too). And that fact not only makes it pretty funny, but it sets it apart from most of Brit's other work. And though we've done pop-culture cheat sheets for her other videos, rarely have they been as much fun as they were this time out.
So, without further ado, alphabetized and cross-referenced for your perusing pleasure, here's our "I Wanna Go" cheat sheet:
"Crossroads": Epically bad 2002 coming-of-age flick starring Spears herself (written, interestingly enough, by "Grey's Anatomy" mastermind Shonda Rhimes). In a rare self-effacing moment, the supposed sequel — "Crossroads 2: Cross Harder" — is teased on a theater marquee in "I Wanna Go."
E*Trade Baby: Lippy, fiscally savvy infant who stars in an ongoing series of commercials for the financial company. In "I Wanna Go," there's a baby too, and while he doesn't dispense any trading tips, he does whistle, using the same creepy, CGIed mouth effects the E*Trade ads do.
"Half Baked": Cult 1998 stoner comedy starring Dave Chappelle as a weed-obsessed "master of the custodial arts" (and a weed-addled rapper named Sir Smoke-a-lot), who runs with an appropriately stony crew. Said crew includes actor Guillermo Diaz, who quits his crappy fast-food job in truly epic fashion. The scene is replayed verbatim at the beginning of "I Wanna Go," only with Britney delivering the "F--- you, f--- you, f--- you, you're cool and f--- you ... I'm out!" line. As an added bonus, Diaz also co-stars in the video. Truly the most inexplicably awesome part of the entire production.
"Kill Bill": Ultra-gory 2003 revenge flick written and directed by Quentin Tarantino, it stars Uma Thurman as Beatrix Kiddo, a bride out to avenge her wedding-day massacre. She battles several baddies throughout, including Gogo Yubari, a sadistic 17-year-old who wields a meteor hammer. In "I Wanna Go," Britney uses a microphone in much the same fashion — namely, to bash those pesky paparazzi.
"The Mickey Mouse Club": Oft-revived Disney variety show/ teen-sploitation factory that famously featured young stars like Justin Timberlake, Christina Aguilera, Ryan Gosling (!) and, of course, Britney. She pays homage to her Mouseketeer days in "I Wanna Go" by wearing a T-shirt emblazoned with a Mickey Mouse skull.
Seashells: Hard, protective exoskeletons created by sea-dwelling creatures. In "I Wanna Go," Diaz's character gives Britney a handful of them, and since the majority of the clip takes place in her daydream, we're going to get deep here: In dreams, seashells represent security or protection.
"Terminator 2: Judgment Day": The 1991 sci-fi blockbuster featuring Arnold Schwarzenegger as the titular Terminator, sent back in time to protect a young John Connor from the nefarious T-1000. Arnie suffers severe battle damage throughout, including one scene where half his face is blasted off, revealing a glowing cyborg eye beneath his skin. That same scene is shown in "I Wanna Go," though it's the paparazzi who are revealed to be robotic killing machines.
"Thriller": Iconic 1984 Michael Jackson mini-movie that may very well be the greatest music video ever made. It concludes with a famous freeze frame (and subsequent zoom-in) of MJ with glowing eyes and Vincent Price's legendary cackle. Britney pays tribute to the scene at the ending of "I Wanna Go," though it's Diaz's eyes that are glowing. We're not sure who provides the cackle.
Did we miss anything? Share the pop-culture tidbits you picked up in the comments below!
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Erica Leerhsen Erika Christensen Estella Warren Esther Cañadas Eva Green
Source: http://www.imnotobsessed.com/2011/06/29/celebrity-sightings-nicky-hilton-and-reese-witherspoon/
Critics enjoy the visual ride but not much else about Pixar's latest.
By Eric Ditzian
Lightning McQueen (voiced by Owen Wilson) and Mater (voiced by Larry the Cable Guy) in "Cars 2"
Photo: Disney
Animated films, much like the big-screen work of Adam Sandler, are so often review-proof. "Hop" didn't give a hoot that critics eviscerated the Easter Bunny tale, opening to $37.5 million domestically on its way to a $176.8 million worldwide total. And hey, "Grown Ups" and "Just Go With It" were two of the most savagely critiqued comedies in recent memory, yet each one deposited a couple hundred million dollars in Sandler's already astonishing box-office pot of gold.
So does it really matter that critics have flagged "Cars 2," Pixar's latest offering and its first sequel outside the "Toy Story" franchise, for a dizzying array of cinematic violations? Nope. The CGI flick is poised to race away with around $65 million this weekend. Kids, and the parents who hold their hands on the way to the theater, will be leading the charge. And they won't care at all that reviewers have harrumphed at the convoluted storytelling, because they'll be too busy gawking at what even critics admit are top-notch visuals.
But if you're old enough to read this, perhaps you might care. And thus we present a deep dive into the "Cars 2" reviews:
The Story
"Who decided to make Larry the Cable Guy the star? I don't know, but his Mater, the dopey, good-hearted tow truck from the first 'Cars,' is the focus of the sequel, which is sort of like basing a fourth 'Toy Story' on Slinky Dog. The star of 'Witless Protection,' among other delights, can only carry a film so far. This time out, Lightning McQueen (Owen Wilson) is goaded, with Mater's help, into entering the World Grand Prix to face the cocky Francesco Bernoulli (John Turturro). ... Mater somehow gets himself involved in international espionage. Someone is trying to sabotage the Grand Prix, and spies Finn McMissle (Michael Caine) and Holley Shiftwell (Emily Mortimer) are trying to figure out who and why. Mistaking Mater for a fellow spy — the idiot act is flawless, Finn tells him — Mater is soon wearing disguises and working undercover, haplessly bumbling his way to success." — Bill Goodykoontz, Arizona Republic
The Storytelling
" 'Cars 2' plays out like two scripts that have been stapled together. Scenes from one script alternate with scenes from the other, and there are separate batches of characters in the U.S., Italy and England, most of whom don't have much to do (every movie could use more of Bonnie Hunt, who voices Lightning's girlfriend, but that's especially true of this movie). The testing of the Mater/Lightning friendship has charm and gives 'Cars 2' what heart it has, but the film spends most of its time on the spy plot, which is not terribly involving." — Chris Hewitt, St. Paul Pioneer Press
The Visuals
"Every frame is rendered so beautifully you wish you could pause it: the uncanny wetness of the ocean waves as Finn performs a daring oil-rig maneuver; the glowing lights of nighttime Paris; the sparkling sunshine on Corsica streets as cars zoom through; the gentle gray mists of London. (Note, though, that the 3-D effects are very subtle; my guess is that you wouldn't miss a thing by seeing this movie in 2-D.)" — Moira Macdonald, Seattle Times
The Missteps
"The tone and emphasis of 'Cars 2' veers off course from the start. Too many guns, for one thing. The whole thing is too weapons-dependent to be charming. There's plenty to watch here, and preteens who found the first 'Cars' a bit pokey won't have the same reaction to this frenetic, globe-trotting follow-up. But I got little pleasure from seeing these cars (plus boats, and a plane) thrown into the spy thriller genre. It's an intriguing story risk at best, a protracted stunt at worst. The greatest Pixar films have sampled, free-form, an unpredictable variety of moods and styles. Here the mash-ups refuse to jell, and even Michael Giacchino's score sounds like someone less talented than Michael Giacchino composed it." — Michael Phillips, Chicago Tribune
The Final Word
" 'Cars 2' is probably the slightest of Pixar's films — it sort of plays like an espionage-driven episode of the '60s 'Speed Racer' cartoon, only with the Mach 5 doing all the talking in a universe eerily devoid of humans. But if it's going to be diet Pixar, at least it's action-packed diet Pixar — with overwhelming, detail-choked production design that occasionally had my jaw lowering like a forklift." — Michael Russell, Oregonian
Check out everything we've got on "Cars 2."
For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.
Source: http://www.mtv.com/news/articles/1666419/cars-2-movie-reviews.jhtml
Genelle Frenoy Georgianna Robertson Georgina Grenville Gina Carano Gina Gershon
Jamie Gunns Jamie Lynn Sigler Janet Jackson January Jones Jennie Finch
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Jennifer ODell Jennifer Scholle Jennifer Sky Jenny McCarthy Jessica Alba
Cinthia Moura Claudette Ortiz Coco Lee Connie Nielsen Cristina Dumitru
Carla Gugino Carmen Electra Carol Grow Carrie Underwood Cat Power
Showing off her sexiness in the fullest, Alessandra Ambrosio heats things up in a recently released video titled "Summer".
The Victoria's Secret beauty can be seen soaking wet as she strips down to a skimpy swimsuit for the Jermo Duran produced clip.
Meanwhile, Miss Ambrosio is currently enjoying time in New York City after returning to the States from Brazil following a Colcci shoot with Ashton Kutcher.
Just yesterday, the brunette beauty tweeted, "Bom dia galera!!! Exercising with this beautiful view of the park in ny!!!!"
Checking out the new "Transformers" film later in the night, Alessandra later wrote, "On my way to watch my friend rosie on the new transformers dark of the moon 3D movie !!!!"
Source: http://celebrity-gossip.net/alessandra-ambrosio/alessandra-ambrosio-summer-sexy-518590
Anna Faris Anna Friel Anna Kournikova Anna Paquin AnnaLynne McCord
LP perform 'Iridescent' from the 'Transformers: Dark of the Moon' premiere in Moscow.
By James Montgomery, with reporting by Josh Horowitz
Mike Shinoda and Chester Bennington perform at Moscow's Red Square
Photo: MTV News
Linkin Park have taken their expansive rock show to seemingly every corner of the globe, but they've never played Moscow's Red Square (to be fair, very few acts ever have). But now, thanks to the power of Michael Bay and "Transformers: Dark of the Moon," they can finally cross it off their list.
On Friday, their performance of "Iridescent" — a song from their A Thousand Suns that's since been tapped as the first single off the new "Transformers" soundtrack — was broadcast across MTV's platform of networks. It was part of the blockbuster's world premiere at the Moscow International Film Fest, but to hear Linkin Park tell it, it was also a moment they'll remember for the rest of their lives.
"To do a movie premiere is pretty cool — we've done some of them before — but to do a premiere in Moscow, and then perform in Red Square ... We were saying earlier, it's kind of one of those things where you think, 'How did they pull that off?' " LP's Chester Bennington told MTV News. "I mean, Red Square is not exactly a place they throw concerts every day. Not many bands have performed there, so ... this is really a very special and exceptional moment for us. We've had the privilege of playing a few other landmark locations that are very special, and this definitely tops that."
Of course, it was a moment that couldn't have happened without the considerable clout of "Transformers" director Michael Bay ("There's, like, nothing he can't do," Bennington joked. "He may have actually shot the [film's] moon footage on the moon"), but when Linkin Park first joined forces with the franchise back in 2007, they never dreamed the collaboration would eventually lead them to Red Square. Basically, back then, they just signed on because they were huge fans of the toys. And needless to say, things have worked out pretty well ever since.
"I have a special place in my heart for Soundwave and Starscream," Mike Shinoda laughed.
"We loved playing with the toys as kids and conceptually, the idea of Transformers — these machines that are alive — it's always been a great story," Bennington added. "But realistically, the toys were amazing. They're still the coolest toys ever."
Check out everything we've got on "Transformers: Dark of the Moon."
For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.
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'I've slowed down my style on this one,' he tells MTV News of adjusting to 3-D for 'Dark of the Moon.'
By Eric Ditzian, with reporting by Josh Horowitz
Michael Bay on the set of "Transformers: Dark of the Moon"
Photo: Paramount Pictures
Toward the end of February of last year, as James Cameron's "Avatar" was crossing the $700 million mark at the domestic box office on its way to a record-shattering worldwide total, "Transformers" director Michael Bay was still not convinced that 3-D was the true future of popcorn moviemaking.
"I've seen some tests that look great on other movies. I just want to see how it looks on my footage... in terms of a lot of real stuff coming out of the frame, real dirt, real complicated little particles coming towards the lens," he said at the time by way of revealing that he was considering a 3-D treatment for the third installment of his alien robot franchise.
The fact that he'd even arrived at such a testing phase is a credit both to Cameron and "Transformers" exec producer Stephen Spielberg. "Jim Cameron, he's like, 'Mike, you got to do it in 3-D,' " Bay told MTV News recently. "Stephen Spielberg, he says, 'Michael, you should do this in 3-D,' and I'm like, 'I don't know about the technology.' "
In the end, Bay became convinced that the tech was solid. For "Transformers: Dark of the Moon," he shot, by his own estimation, 60 percent of the finished film using 3-D cameras, another 15 percent consisting of all-digital 3-D shots and 25 percent footage converted from two dimensions to three. And while the director remains happy with the results, he did not mince words in talking about the challenges of working with 3-D cameras.
"It's hard with my style of shooting and taking [a camera] and strapping it to guys who are skydiving off buildings, and helmet cams," he said. "It's a technical nightmare. You don't even want to tell your viewers how technically complicated this stuff is."
To accommodate the limitations of a 3-D presentation, Bay ended up adjusting his often-kinetic approach to filmmaking. "I've slowed down my style on this one," he explained. "There are longer shots, there are evolving shots, some shots are 45 seconds long, where you're going in and through things. Where people say, 'Oh, I can't watch action with 3-D,' it's where 3-D was done poorly and your eye goes in and out, and if it jumps fast, it's when you get bad 3-D, because it screws with your head. Shot by shot, we're transitioning the viewer. You can really feel the action in this. It's much more experiential."
Check out everything we've got on "Transformers: Dark of the Moon."
For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.
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'Transformers' star says he ended up directing Cudi's 'Maniac' and 'Marijuana' videos because of mutual friend Cage.
By Kara Warner, with reporting by Josh Horowitz
From the outside looking in, the friendship and working partnership that actor Shia LaBeouf and rapper Kid Cudi have established recently seems only slightly unlikely. However, upon closer examination of Cudi's track record in working with Hollywood types, and LaBeouf's relationship with "Maniac" featured performer Cage, their collaborations on two of Cudi's videos, "Maniac" and "Marijuana," isn't that unexpected.
When MTV News caught up with LaBeouf recently as he promoted "Transformers: Dark of the Moon," we asked the aspiring director how the Cudi/Cage/LaBeouf magic began with music, and how it ended with a trip to Amsterdam's infamous Cannabis Cup.
"[Cage] is one of my good friends. Cage, Chris Palko, and I had been trying to make a movie about him for a while," LaBeouf explained. "Cudi hit [Cage] up and did a song with him. Cage sent me the song, called 'Maniac,' so initially, we started prepping this video, which is really like a short horror movie that I made that comes out on Halloween," he said. "In the interim, while we were finishing up the effects on it, [Cudi] told me he was going to Amsterdam for the Cannabis Cup."
LaBeouf jumped at the chance to continue working with Cudi, and joked that a trip to the legendary land where cannabis is legal was too good to pass up.
"It's as big as Spielberg," he said with a laugh. "It is for a 25-year-old male who has all these crazy fantasies about Amsterdam, which every male my age has, there's that college trip you always want to take," he admitted. "And to do that with Cudi when he's a judge, and I get to roll with him with my 8mm camera [like] an 'Easy Rider' documentarian, I felt like Cameron Crowe or something."
Despite all the references to the drug, that trip and the clip that came from it are Cudi's send-off to smoking weed.
"It was almost like an R.I.P. video to my whole smoking career," Cudi told MTV News of the "Marijuana" clip earlier this month.
What do you think of Shia teaming up with Kid Cudi? Let us know in the comments!
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Brittany Snow Brittny Gastineau Brody Dalle Brooke Burke Brooke Burns
Looking for some extra protection as she made her nail appointment exit, January Jones was spotted with a double dose of police escorts as she left Los Feliz salon earlier today (June 28).
The 33-year-old actress, opted for some comfy clothes for her midday pampering session, sporting a black top, blue leggings and black flip flops.
Over the weekend the momma-to-be headed to Malibu, where she celebrated her baby shower with her closest family and friends, including "Mad Men" co-star Christina Hendricks
An onlooker of the joyous event told People, ?[She] seemed happy to be spending time at the beach with her friends. Everyone was laughing and seemed to have a great time.?
Source: http://celebrity-gossip.net/january-jones/january-jones-police-escort-exit-519039
Danica Patrick Daniella Alonso Danneel Harris Deanna Russo Denise Richards
Source: http://www.imnotobsessed.com/2011/06/28/fergie-goes-sheer-in-germany/
Source: http://feedproxy.google.com/~r/RightCelebrity/~3/vGglTFhnq44/
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Source: http://feedproxy.google.com/~r/RightCelebrity/~3/0GdQkKHigXQ/
Bali Rodriguez Bar Refaeli Beyoncé Bianca Kajlich Bijou Phillips
Source: http://feedproxy.google.com/~r/pinkisthenewblog/~3/FIwcz4oxkDw/
Arielle Kebbel Ashanti Ashlee Simpson Ashley Greene Ashley Olsen
Stepping out with a girls best friend, Ashley Olsen was spotted leaving her New York City hotel with her pup in tow earlier today (June 28).
The 25-year-old fashion designer sported a simple yet chic look for morning outing, wearing a pair of over-sized sunglasses, a long, sheer beige dress, and black and gold sandals.
Meanwhile, Ashley and her fellow style-savvy twin sister Mary-Kate are gearing up for their latest venture, StyleMint, which launches Friday (July 1).
The t-shirt line, to be sold exclusively through the celebrity e-commerce site (StyleMint.com), is the second major site launched by BeachMint, which also began Kate Bosworth's jewelry site, JewelMint.
Source: http://celebrity-gossip.net/ashley-olsen/ashley-olsen-pup-big-apple-pals-519022
Carol Grow Carrie Underwood Cat Power Catherine Bell Chandra West
Stepping out with a girls best friend, Ashley Olsen was spotted leaving her New York City hotel with her pup in tow earlier today (June 28).
The 25-year-old fashion designer sported a simple yet chic look for morning outing, wearing a pair of over-sized sunglasses, a long, sheer beige dress, and black and gold sandals.
Meanwhile, Ashley and her fellow style-savvy twin sister Mary-Kate are gearing up for their latest venture, StyleMint, which launches Friday (July 1).
The t-shirt line, to be sold exclusively through the celebrity e-commerce site (StyleMint.com), is the second major site launched by BeachMint, which also began Kate Bosworth's jewelry site, JewelMint.
Source: http://celebrity-gossip.net/ashley-olsen/ashley-olsen-pup-big-apple-pals-519022
Cindy Taylor Cinthia Moura Claudette Ortiz Coco Lee Connie Nielsen
'You can tell that she was having fun. She looked like she was enjoying herself and loving it,' one fan says after Spears' L.A. show.
By Jocelyn Vena, with reporting by James Lacsina
Britney Spears performs at Staples Center in Los Angeles on Monday
Photo: Splash News Online
Have you heard? Britney's back! That's the consensus her fans came to on Monday night in Los Angeles, where Britney Spears took the stage at the Staples Center, garnering very positive reviews from her fans.
Rachel Guillory, who happens to be from Brit's home state of Louisiana, said, "She interacted with the audience. She talked, she looked happy the whole time."
Her friend Chandler Cortina added, "You can tell that she was having fun. She looked like she was enjoying herself and loving it."
The good vibes were pouring out from everyone MTV News spoke to after the show, with fans raving about her stage presence and her killer dance moves. "I'll tell you one thing: Britney is back," Andrea Urioste declared. "Who feels me on that?" she asked the crowd, who cheered in approval.
Photos: Britney brings it in Los Angeles.
Duprel Nave agreed. "I've been a Britney fan since the beginning. She rocked it and I've been waiting for her to come back," she said. "She gets so much criticism in the media, but she is badass. She's amazing."
Fan Heather Goodly compared this trek, which is several dates in from its kickoff last week in Sacramento, to her last tour. "I went to Circus and this is a thousand times better than that show," she said. "She dances a lot more fiercely, [there are] a lot more hair flips, which is amazing for Britney."
"It's like 2004, 2001 Britney is completely back. Energetic, excited," Ricardo Garcia shared.
So, which parts rocked the most? " 'I Wanna Go,' " Pattie Cortez said of Spears' performance of her new single. "That was our favorite part. It was so intense. Everybody was doing the fist pump."
Chris Rocha went old-school for his pick. "When she did 'Slave For U,' [with] the original choreography, that brought back the old Britney for me. I was waiting for that, and to see that come back, it was awesome."
Have you seen Britney on tour? Tell us what you think in the comments!
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Carla Campbell Carla Gugino Carmen Electra Carol Grow Carrie Underwood
'It shows the intense live side of the band, as opposed to the perfection and the cleanness of how we sound on our albums,' guitarist says.
By Chris Harris
Dimmu Borgir's Silenoz
Photo: Nuclear Blast
On October 14, Dimmu Borgir — who just happen to be Demi Lovato's favorite black-metal band — will release a a three-disc DVD/CD set called "The Invaluable Darkness," the band's first visual offering since 2002's "World Misanthropy." Boasting live footage shot last year, during gigs in Norway, Germany and England, "The Invaluable Darkness" demonstrates the unbridled furor of seeing Dimmu live, guitarist Silenoz said.
"It shows the honest rawness and atmospheric darkness of our concerts," the Norwegian told Metal File last week, after dismissing recent online rumors that his band's next LP would be coming out through Roadrunner Records. "Basically, it shows the intense live side of the band, as opposed to the perfection and the cleanness of how we sound on our albums. It's just a different side to the band, basically."
Dimmu Borgir began thinking about "The Invaluable Darkness" two years ago, but didn't start capturing footage until last summer, Silenoz explained, adding that the band will use its current stint on the Blackest of the Black Tour — which got underway Thursday night in Miami Beach, Florida, and also features the tour's founder, Danzig, along with Moonspell, Winds of Plague and Skeletonwitch — to promote the DVD. Dimmu Borgir will not, however, use the tour to write material for their next LP.
"It's our first time on Blackest, but Glenn [Danzig] had wanted to bring us out before [on the tour], but we weren't available until now," Silenoz said. "We've done Ozzfest before, but we're looking forward to this tour more. We did the main stage on Ozzfest, playing in f--_ing broad daylight. This tour will let us play in bigger places, but at the same time showcase more of what the band's about, visually. We are going to concentrate on the tour for now. Some years ago, we tried putting [material] together on the road, but once we got home, we listened back to it, and were like, 'What the f--- is this?' So, we just scrapped it all. We find it's so much better to totally focus on one thing at a time, and then, when that's over, you move on to the next [thing]. We don't really feel like we need to rush things, anyway, so we'll just take our time, and it's going to be what it's going to be."
Dimmu Borgir hope to reconvene in late December to begin writing the follow-up to 2007's diabolically titled In Sorte Diaboli. "We have some ideas floating around already, but we haven't arranged any material yet," he said. "We'll start doing that once the touring for this DVD is over." The band's frontman, Shagrath, is also due to marry soon — he's engaged to actor Nicolas Cage's ex-girlfriend, Christina Fulton, so that may have an effect on when Dimmu finish their next album, which Silenoz said could be out this coming spring.
"I'm sure [Shagrath] won't let anything get in the way [of] the band — I think, I hope," the guitarist said. "We don't need a Yoko [Ono] situation."
While Dimmu have been at it going on 15 years now, Silenoz said he doesn't think their forthcoming material will be much of a departure from their previous black-metal offerings.
"And we have always been about more than just that term, 'black metal,' " he said. "Luckily for us, the older you get, the less concerned you get with the categorization and putting labels on your music. Things start getting more and more limitless with us, and we know that we operate within certain frames. But we try not to analyze things too much, because it's just going to be working against you in the end. When we write new stuff, we don't think about what we should write — we just get together, and put material together, and if we like it, we keep it. That's the formula, if we even have a formula."
Dimmu Borgir are definitely getting older — guitarist Galder will be missing Blackest because of a recent addition to his family, and Susperia's Cyrus will be filling in for him; while former Vader drummer Dariusz Brzozowski takes over for Hellhammer, who had to leave the band in 2007 after sustaining a neck injury that's now limited the use of his right arm. As Dimmu has gotten on in years, Silenoz admits they have failed to keep pace with some of the more extreme black-metal acts that have followed in their wake.
"We helped open doors for the more extreme bands out there," Silenoz said. "I'm sure we helped open doors for bands like Watain, [insomuch as] people that had maybe started listening to us first then went on to the more extreme stuff. Let's face it — we're not as extreme as Watain and other bands like that, but we're fine with that."
The Blackest of the Black Tour continues through November 10 in San Francisco.
The rest of the week's metal news:
Dimmu's tourmates on Blackest, Winds of Plague, have announced ex-Azusa drummer Art Cruz has joined their ranks — he replaced Jeff Tenney. According to the band's blog, "Art has already added a new spark to the band and has provided us with a solid backbone that will allow us to continue our rampage stronger than ever." ...
What the world really needs is another Led Zeppelin box set, so, on November 4, Rhino Records will issue the Led Zeppelin Definitive Collection Mini LP Replica CD box set. For just $200, you'll get 1969's Led Zeppelin, 1969's Led Zeppelin II, 1970's Led Zeppelin III, 1971's Led Zeppelin IV, 1973's Houses of the Holy, 1975's Physical Graffiti, 1976's Presence, 1976's The Song Remains the Same, 1979's In Through the Out Door and 1982's Coda, as mini-LP replicas, with artwork from the original U.K. LP sleeves. Now, you know what you can get your dad for Christmas. ...
Former Killswitch Engage frontman Jesse Leach and current Killswitch Engage guitarist Adam Dutkiewicz have teamed up for a new project they're calling Times of Grace, and they've already started working on material for their debut album. According to Leach, "We have two songs to go and we will be finished with all of the vocals. Adam has taken lead vocals in three songs as of yet and he is doing a great job. We also worked on a track yesterday that is so epic — we trade vocals and do two different melodies at the same time. This album went from a melodic metal album to an epic mix of metal/rock/pop/shoegaze and punk. So all of your metal expectations will be incorrect — we are pushing genre boundaries." To quote "Meet the Parents," we'll look forward to that, Greg. ...
The Funeral Pyre and Early Graves will be hitting the road together next month, starting November 7 in South Lake Tahoe, California. Dates are booked through November 21 in Hollywood. ...
The latest incarnation of Brujeria, which features Carcass frontman Jeff Walker and Napalm Death's Shane Embury, have lined up several U.S. dates for this winter. The band will begin its brief trek November 28 in Denver, and wrap things up in Dallas on December 7. ... Demiricous will be touring with the Gates of Slumber starting November 9 in Denver, for a jaunt that's scheduled to run through December 6 in Indianapolis. ...
Nearly three years after Roadrunner Records' Roadrunner United concert, which took over the Nokia Theater in New York's Times Square, the label is now releasing footage from that special night as "Roadrunner United: The Concert." The DVD, which hits stores December 9, will boast two discs and 24 live tracks, including Life of Agony's "River Runs Red," King Diamond's "Abigail," Killswitch's "My Last Serenade," Type O Negative's "Black No. 1" and Sepultura's "Refuse/Resist." ...
According to Blabbermouth, Verrot, bassist for Swedish black-metal outfit Elimi, committed suicide on October 3. In a statement, the band said, "Verrot was a very good friend, brother, an excellent bass player/musician and an important part of Elimi; we respect his decision and hope he'll find his way with the dark gods of Chaos. Let your black flame be a part of what brings forth the day of wrath."
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Raising Sand, from Led Zeppelin vet and bluegrass superstar, wins five Grammys on Sunday night.
By James Montgomery with MTV News staff
Alison Krauss and Robert Plant accept the award for Album of the Year at the Grammy Awards on Sunday
Photo: Kevin Winter/ Getty Images
"I'm bewildered," Robert Plant said onstage as he accepted the Grammy Album of the Year award with Alison Krauss on Sunday night. "In the old days we would have called this selling out, but it's a good way to spend a Sunday."
He was probably one of the few who were surprised, because Raising Sand, which won five trophies at Sunday night's show, is in many ways the perfect Grammy album. It features two respected veterans, a critically lauded producer, some sandpaper-and-velvet vocals and a baker's dozen of time-tested standards.
You're probably familiar with Robert Plant from his Led Zeppelin days, and you might be aware of producer T-Bone Burnett's work on the "O Brother, Where Art Thou?" soundtrack (it won the Grammy for Album of the Year in 2002). And if you don't know who Alison Krauss is, she possesses a haunting set of pipes and is one of the meanest fiddle players in the world. Oh, and she's won 21 Grammys, more than any other female artist and the seventh-most in history.
Really, she's the key to Sand's success, and not just because of her voice (or her fiddle playing). She and Plant first met in 2004, at a Rock and Roll Hall of Fame tribute to legendary bluesman Leadbelly, and the former Zeppelin man was amazed by her knowledge of American Roots music — so much so that they began kicking around the idea of recording an album together. Three years later, Sand was released.
And while Plant possesses the more famous voice, the album's finest moments radiate from Krauss. Whether she's getting bluesy on Little Milton's "Let Your Loss Be Your Lesson" or entwining with Plant's husky voice on songs like "Please Read the Letter" and Roly Salley's winsome "Killing the Blues," she more than carries her end of the bargain.
And perhaps that's also due to producer Burnett, who handpicked the 13 songs the duo cover on Sand. His arrangements are sparse — giving the two voices ample room to breathe — yet dense, warm and crackling at the same time. It's a testament to his work that he's often given just as much billing as Plant and Krauss on the project ... and it's certainly justified.
To date, Sand has sold more than 1 million copies, heaped tons of acclaim and actually earned a Grammy last year — "Gone Gone Gone (Done Moved On)" took home the award for Best Pop Collaboration With Vocals.
One expert was surprised not by the album's success, but by the fact that it's actually quite a good album.
"At first, the album seemed like a vanity project. ... Two names, clearly a one-off record, didn't have to be any good, you know?" New York Times music critic Jon Caramanica said. "Led Zeppelin fans would buy it because of Robert Plant, Alison Krauss would get a check. But it actually turned out to be a really thoughtful, really good record. So when you combine all that with the fact that the Grammys love to lionize one of their own, I could really see it taking home some awards."
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Critics enjoy the visual ride but not much else about Pixar's latest.
By Eric Ditzian
Lightning McQueen (voiced by Owen Wilson) and Mater (voiced by Larry the Cable Guy) in "Cars 2"
Photo: Disney
Animated films, much like the big-screen work of Adam Sandler, are so often review-proof. "Hop" didn't give a hoot that critics eviscerated the Easter Bunny tale, opening to $37.5 million domestically on its way to a $176.8 million worldwide total. And hey, "Grown Ups" and "Just Go With It" were two of the most savagely critiqued comedies in recent memory, yet each one deposited a couple hundred million dollars in Sandler's already astonishing box-office pot of gold.
So does it really matter that critics have flagged "Cars 2," Pixar's latest offering and its first sequel outside the "Toy Story" franchise, for a dizzying array of cinematic violations? Nope. The CGI flick is poised to race away with around $65 million this weekend. Kids, and the parents who hold their hands on the way to the theater, will be leading the charge. And they won't care at all that reviewers have harrumphed at the convoluted storytelling, because they'll be too busy gawking at what even critics admit are top-notch visuals.
But if you're old enough to read this, perhaps you might care. And thus we present a deep dive into the "Cars 2" reviews:
The Story
"Who decided to make Larry the Cable Guy the star? I don't know, but his Mater, the dopey, good-hearted tow truck from the first 'Cars,' is the focus of the sequel, which is sort of like basing a fourth 'Toy Story' on Slinky Dog. The star of 'Witless Protection,' among other delights, can only carry a film so far. This time out, Lightning McQueen (Owen Wilson) is goaded, with Mater's help, into entering the World Grand Prix to face the cocky Francesco Bernoulli (John Turturro). ... Mater somehow gets himself involved in international espionage. Someone is trying to sabotage the Grand Prix, and spies Finn McMissle (Michael Caine) and Holley Shiftwell (Emily Mortimer) are trying to figure out who and why. Mistaking Mater for a fellow spy — the idiot act is flawless, Finn tells him — Mater is soon wearing disguises and working undercover, haplessly bumbling his way to success." — Bill Goodykoontz, Arizona Republic
The Storytelling
" 'Cars 2' plays out like two scripts that have been stapled together. Scenes from one script alternate with scenes from the other, and there are separate batches of characters in the U.S., Italy and England, most of whom don't have much to do (every movie could use more of Bonnie Hunt, who voices Lightning's girlfriend, but that's especially true of this movie). The testing of the Mater/Lightning friendship has charm and gives 'Cars 2' what heart it has, but the film spends most of its time on the spy plot, which is not terribly involving." — Chris Hewitt, St. Paul Pioneer Press
The Visuals
"Every frame is rendered so beautifully you wish you could pause it: the uncanny wetness of the ocean waves as Finn performs a daring oil-rig maneuver; the glowing lights of nighttime Paris; the sparkling sunshine on Corsica streets as cars zoom through; the gentle gray mists of London. (Note, though, that the 3-D effects are very subtle; my guess is that you wouldn't miss a thing by seeing this movie in 2-D.)" — Moira Macdonald, Seattle Times
The Missteps
"The tone and emphasis of 'Cars 2' veers off course from the start. Too many guns, for one thing. The whole thing is too weapons-dependent to be charming. There's plenty to watch here, and preteens who found the first 'Cars' a bit pokey won't have the same reaction to this frenetic, globe-trotting follow-up. But I got little pleasure from seeing these cars (plus boats, and a plane) thrown into the spy thriller genre. It's an intriguing story risk at best, a protracted stunt at worst. The greatest Pixar films have sampled, free-form, an unpredictable variety of moods and styles. Here the mash-ups refuse to jell, and even Michael Giacchino's score sounds like someone less talented than Michael Giacchino composed it." — Michael Phillips, Chicago Tribune
The Final Word
" 'Cars 2' is probably the slightest of Pixar's films — it sort of plays like an espionage-driven episode of the '60s 'Speed Racer' cartoon, only with the Mach 5 doing all the talking in a universe eerily devoid of humans. But if it's going to be diet Pixar, at least it's action-packed diet Pixar — with overwhelming, detail-choked production design that occasionally had my jaw lowering like a forklift." — Michael Russell, Oregonian
Check out everything we've got on "Cars 2."
For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.
Source: http://www.mtv.com/news/articles/1666419/cars-2-movie-reviews.jhtml
Critics enjoy the visual ride but not much else about Pixar's latest.
By Eric Ditzian
Lightning McQueen (voiced by Owen Wilson) and Mater (voiced by Larry the Cable Guy) in "Cars 2"
Photo: Disney
Animated films, much like the big-screen work of Adam Sandler, are so often review-proof. "Hop" didn't give a hoot that critics eviscerated the Easter Bunny tale, opening to $37.5 million domestically on its way to a $176.8 million worldwide total. And hey, "Grown Ups" and "Just Go With It" were two of the most savagely critiqued comedies in recent memory, yet each one deposited a couple hundred million dollars in Sandler's already astonishing box-office pot of gold.
So does it really matter that critics have flagged "Cars 2," Pixar's latest offering and its first sequel outside the "Toy Story" franchise, for a dizzying array of cinematic violations? Nope. The CGI flick is poised to race away with around $65 million this weekend. Kids, and the parents who hold their hands on the way to the theater, will be leading the charge. And they won't care at all that reviewers have harrumphed at the convoluted storytelling, because they'll be too busy gawking at what even critics admit are top-notch visuals.
But if you're old enough to read this, perhaps you might care. And thus we present a deep dive into the "Cars 2" reviews:
The Story
"Who decided to make Larry the Cable Guy the star? I don't know, but his Mater, the dopey, good-hearted tow truck from the first 'Cars,' is the focus of the sequel, which is sort of like basing a fourth 'Toy Story' on Slinky Dog. The star of 'Witless Protection,' among other delights, can only carry a film so far. This time out, Lightning McQueen (Owen Wilson) is goaded, with Mater's help, into entering the World Grand Prix to face the cocky Francesco Bernoulli (John Turturro). ... Mater somehow gets himself involved in international espionage. Someone is trying to sabotage the Grand Prix, and spies Finn McMissle (Michael Caine) and Holley Shiftwell (Emily Mortimer) are trying to figure out who and why. Mistaking Mater for a fellow spy — the idiot act is flawless, Finn tells him — Mater is soon wearing disguises and working undercover, haplessly bumbling his way to success." — Bill Goodykoontz, Arizona Republic
The Storytelling
" 'Cars 2' plays out like two scripts that have been stapled together. Scenes from one script alternate with scenes from the other, and there are separate batches of characters in the U.S., Italy and England, most of whom don't have much to do (every movie could use more of Bonnie Hunt, who voices Lightning's girlfriend, but that's especially true of this movie). The testing of the Mater/Lightning friendship has charm and gives 'Cars 2' what heart it has, but the film spends most of its time on the spy plot, which is not terribly involving." — Chris Hewitt, St. Paul Pioneer Press
The Visuals
"Every frame is rendered so beautifully you wish you could pause it: the uncanny wetness of the ocean waves as Finn performs a daring oil-rig maneuver; the glowing lights of nighttime Paris; the sparkling sunshine on Corsica streets as cars zoom through; the gentle gray mists of London. (Note, though, that the 3-D effects are very subtle; my guess is that you wouldn't miss a thing by seeing this movie in 2-D.)" — Moira Macdonald, Seattle Times
The Missteps
"The tone and emphasis of 'Cars 2' veers off course from the start. Too many guns, for one thing. The whole thing is too weapons-dependent to be charming. There's plenty to watch here, and preteens who found the first 'Cars' a bit pokey won't have the same reaction to this frenetic, globe-trotting follow-up. But I got little pleasure from seeing these cars (plus boats, and a plane) thrown into the spy thriller genre. It's an intriguing story risk at best, a protracted stunt at worst. The greatest Pixar films have sampled, free-form, an unpredictable variety of moods and styles. Here the mash-ups refuse to jell, and even Michael Giacchino's score sounds like someone less talented than Michael Giacchino composed it." — Michael Phillips, Chicago Tribune
The Final Word
" 'Cars 2' is probably the slightest of Pixar's films — it sort of plays like an espionage-driven episode of the '60s 'Speed Racer' cartoon, only with the Mach 5 doing all the talking in a universe eerily devoid of humans. But if it's going to be diet Pixar, at least it's action-packed diet Pixar — with overwhelming, detail-choked production design that occasionally had my jaw lowering like a forklift." — Michael Russell, Oregonian
Check out everything we've got on "Cars 2."
For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.
Source: http://www.mtv.com/news/articles/1666419/cars-2-movie-reviews.jhtml
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Actress jokes to MTV News that her gold-digging character has absolutely 'no redeeming qualities.'
By Eric Ditzian
Cameron Diaz in "Bad Teacher"
Photo: Gemma LaMana
It's almost a Hollywood storytelling imperative: Make your main character likeable. Even if he or she starts off as the most loathsome of humans, be sure by the time the credits roll that your protagonist learns a lesson and reveals a more attractive personality.
Not so in "Bad Teacher," the June 24 comedy in which Cameron Diaz's couldn't-give-a-hoot educator — she routinely sleeps through class and lights up a joint afterward — remains largely unchanged. And it was the character's essentially static arc, Diaz told us recently, that attracted her to the movie, even if she initially thought she wanted nothing to do with it.
"The first 30 pages, I'm like, 'I am not playing this. There is no way I can play this character. There [are] no redeeming qualities to this character,' " she recalled of the script. "And by the end of it, I'm like, 'Oh my god, this is genius! There's no redeeming qualities to this character!' We got to the end of the script and we're not apologizing for anything she said. It's a very modest arc."
See, the teacher she plays, Elizabeth Halsey, begins the film with one goal in life: to put her bank account above love and marry a dude she honestly has no respect for but who can buy her a slick sports car without blinking an eye. Quickly, though, the guy ditches her, and she sets her mind to roping in a new rich boy, a substitute teacher played by Justin Timberlake.
A hefty heap of pot, some unscrupulous test-taking techniques and a whole lot of other bad behavior later, Halsey's plans pan out in a very unexpected manner. But by film's end, one thing remains hilariously the same: She's still kind of a crappy teacher.
"It's amazing that it exists in this movie because it is so rare," Diaz laughed. "I'm thrilled because it is so refreshing."
Check out everything we've got on "Bad Teacher."
For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.
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